Recently, I presented my decade long performance art project, Before The Nation Went Bankrupt to a video art class from Maine College of Art & Design over the conferencing app Zoom. In order to make it work, it required some conceptual and technical adjustments.
Read MoreSome Very Fine People
I went there so you don't have to. This is the comment thread from One America News, November 11 2020.
At any rate, I hope you enjoy the Art Blakey & The Jazz Messengers soundtrack.
April 5, 2020
On April 5, 2020, New York City was quiet enough to hear birdsong.
That day we recorded 8,122 new cases and 800 deaths from COVID-19. We were two days away from breaching 1,000 deaths in a single day.
While news reports focused on the phantasmagoria of mobile hospitals and makeshift morgues, what also struck me was the silence, and what sounds filled the silence, since the world is never at rest.
I am writing this in December 2020, and in the United States, the virus no longer has an epicenter. It is everywhere. Perhaps these case and death numbers are no longer shocking. But they were experienced with a ferocity and terror in New York last spring. In late March, we became the epicenter. First Wuhan, then Bergamo and Veneto in Northern Italy, Iran, and then it his us. It spread undetected those first few weeks of March, on trains, in crowded spaces where we met and on streets where passionate arguments about the Knicks were volleyed back and forth, like it mattered.
The death and sickness overtook the city. It was experienced intensely because of our density. You can’t just ignore the bodies piling up. I walked by the refrigerated trucks when we ventured out for our daily family walks. We live between two hospitals, and we are used to sirens, but I woke up one night and heard a layering of sirens, each street for miles had their own tragedy unfolding, all at once. It was a symphony.
But during the day, the streets were empty enough to really wonder what in the hell someone was doing out there, wandering around at a time like this. This was a place where everyone was in everyone else’s face, and not always by choice. These interactions defined our city, made it what it was. Suddenly, it all stopped.
New York City was silenced, but not completely.
Repatriate The Vessel
Hudson Yards, the most expensive real estate development in US history, was partially funded by a cynically gerrymandered map that included housing projects in East Harlem to qualify it for a tax break intended for distressed neighborhoods. The Vessel is the centerpiece of the Hudson Yards development, a climbable tourist attraction that I am petitioning to have moved uptown to the projects.
Read MoreThe Seventh Seal and The Modern Plague
A gong is struck once at the beginning of Ingmar Bergman’s The Seventh Seal. There is no image and sound slowly decays into a dark silence. On Saturday morning, in the second week of a worldwide quarantine, New York was quiet enough to hear birdsong.
Read MoreVisualizing The Virus
Collaborations between me and my daughter Bianca, first week of lockdown March 18-25, 2020
A Vast Neoliberal Zion
“A Vast Neoliberal Zion” is a guided walking tour of Hudson Yards, the largest real estate development in the history of the United States. As a whole, Hudson Yards is a pacifying spectacle, an embodiment of the excesses of the global 0.1%, and a monument to absurd legal structures that are endemic to late capitalism.
Read MoreChase -> Ouroboros
There are no hopeless situations for capitalism.
Jamie Dimon Address to the JP Morgan Chase Board Re: Trump
The title of my talk today is: Our Savage Economy. I speak to you today as your savage in chief.
Read MoreWhy Financiers Love Abstract Art
I love abstract art. I love abstraction, because I am at home with abstraction.
Read MoreTwo Thousand and Fucking Sixteen
I Have Been Thinking About Our Economy
I have been thinking about our economy. I have been thinking about our economy as a body.
Read MoreThe Artist Plays Basketball
I am an artist who plays basketball. Although there are many differences between these worlds, both art and basketball share the word "practice."
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